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Monthly Archives: April 2012

Building wisdom 1 April 2012

from Daizen News

あわせもの、はなれもの

Awase mono, hanare mono

What may be joined may be separated.

a Buddhist outlook on the transience of all phenomena, including human relations—and timbers, for re-use!


wikimedia

NOTICES: Distributor wanted. Display for sale.

from Daizen News  1 April 2012

Things are in flux at Daizen, and you may be interested in these opportunities.

Distributor wanted.

Daizen is looking for a distribution partner. We are a Shuswap- and Okanagan-based operation; for any area outside this region, we want to engage a partner to distribute our product. To discuss this, please reach Dai, dai@daizen.com, 250/679-2750. To learn more about Daizen Joinery, visit the Daizen website.

Display for sale.

Our splined, curved-peak trellis display is for sale—we’ve used it for a year and are thinking of a new display design.

Post distance is 8 ft. 4 in. x 12 ft. Roof size is 14 ft. 7½ in. x 20 ft. All recycled western red cedar, 4 coats of stain. This is meant to use as trellis; it’s not engineered to place a roof on top. For details, please email Dai, dai@daizen.com.

In progress: a curved dome

from Daizen News  1 April 2012

We’re in the process of erecting a dome for a sun room in a house. Daizen is one of the few sources in B.C. that produces grain-matched, bent, structural timber on a regular basis. To do this, we have developed an entire system, including our proprietary heavy duty clamps.

There is a huge difference between bending a curve and a cut-out curve. Curved beams that are bent retain their continuous fibre, which is what’s required to withstand a compression and tension load. But cut-out timbers simply cut a shape out from a larger timber. This approach is not only limited in size; it can also disconnect most of the fibres entirely, eliminating its usefulness as structural timber. Also, a cut-out curve may split, especially if it is not cut out from free-of-heart-center (FOHC) timber, again limiting the size potential.

A curved beam truss, or a dome as in these pictures, is a structural member, feasible only by bending. In a setting of mostly right angles and straight lines, bent structural timber is not only functional—it’s also refreshing in its roundness.

Wood textures: it’s all in the touch

from Daizen News  1 April 2012

Even if two houses had the same floor plan, there are ways we could deliver a different feel to each frame. These include joinery design, of course, but also the finish surface of timbers. Finishing timbers seems such a, well, surface task. But when someone comes into a house and feels the wood of a post (and many people do this instinctively), the touch of the surface evokes one of their deepest responses.

Stain color has a lot to do with the timber surface, but the final texture is also key in delivering the result to match what you are
looking for. Daizen has five different timber surface finishes to respond to the variety in demand. From smooth to rough, they change the feel, literally, of the total frame.
Standard

The most common finish. Our timber is normally dressed in our four-sided planer to be exactly square and dimensional, but for the stain to penetrate into the fibre, the timber surface will require further treatment.
Super fine

Depending on how fine a finish is desired, it may be applied along with a finer-grid sanding, or we may use a hand planer to achieve the surface. This is our standard for “high-touch” applications like stairs or for anyone looking for finest surface quality.
Comb finish

We raise the grain, for a patina effect to this finish. This is a great finish for those who want a bit of rustic feel yet desire a clean finish as well.
Rough sawn finish

Sawmill surface, for a true rustic feel. Rough sawn timbers are the only ones we can’t put in the planer, so the surface planes may not be totally square (common in traditional timber framing). This adds to the rustic feel. Joinery may be somewhat less tight in this finish, although structural integrity is never compromised.
Adze finish

The classic traditional finish, evoking a time before electric tools. We raise the grain, to give depth. A great finish for those who want a bit of rustic feel yet desire a clean finish as well. The faceted texture gives a warm, handmade feel.

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